{"id":15,"date":"2015-06-20T20:30:35","date_gmt":"2015-06-20T20:30:35","guid":{"rendered":"https:\/\/spectrestudio.com\/?page_id=15"},"modified":"2018-10-13T16:26:08","modified_gmt":"2018-10-13T16:26:08","slug":"about","status":"publish","type":"page","link":"https:\/\/spectrestudio.com\/?page_id=15","title":{"rendered":"PRESS"},"content":{"rendered":"<h1 class=\"entry-title\">The Modern Producer Troy Glessner Interview:<\/h1>\n<p><em><b>I could never really relate to the desire to become a mastering engineer. Why did you get into mastering, and what was the journey that lead there?<\/b><\/em><\/p>\n<p>In junior high we used to play in my parents\u2019 garage. The way we recorded was bouncing back and fourth between cassette decks with RCA cables that allowed us to add one track at a time. It was very crude, but once we had the song tracked I would play it in my car and think something was missing. I had no idea what mastering was, or even that it existed at the time. I just knew that when I bought a commercial release, it had a different aspect to it that my crappy cassette deck bounces didn\u2019t have. It was an aspect beyond my format limitations. So I would bring our final cassette mix into the house and run it through the Technics 30 band graphic EQ on my parents\u2019 home stereo to even it out, control low end, make sure the mids would be pokey but not too pokey. I didn\u2019t know it, but I was mastering. It was a VERY natural step of the recording process for me. I was doing it on my own before I knew the job really existed.<\/p>\n<p><a href=\"http:\/\/themodernproducer.com\/2014\/06\/16\/troy-glessner-interview\/\" target=\"_blank\" rel=\"noopener\">Read More<\/a><\/p>\n<h1 class=\"title\">Devin Townsend\/ Strapping Young Lad Metal-fi interview:<\/h1>\n<p>It seems these days, <a title=\"Devin Townsend Official Website\" href=\"http:\/\/hevydevy.com\/\" target=\"_blank\" rel=\"noopener\">Devin Townsend<\/a> can do no wrong. If he is not crushing our eardrums with <a title=\"Deconstruction\" href=\"http:\/\/www.metal-archives.com\/albums\/Devin_Townsend_Project\/Deconstruction\/302506\" target=\"_blank\" rel=\"noopener\">existential meanderings about the meaning of the universe<\/a>, he is <a title=\"Ghost\" href=\"http:\/\/www.metal-archives.com\/albums\/Devin_Townsend_Project\/Ghost\/302420\" target=\"_blank\" rel=\"noopener\">helping us find peace within it<\/a>. Either way, HevyDevy is one of the most versatile and talented artists in metal today.<\/p>\n<p>Recently, <a title=\"Blood Music\" href=\"http:\/\/www.blood-music.com\/\" target=\"_blank\" rel=\"noopener\">Blood Music<\/a> released <em>The Complete Works<\/em>, an incredible retrospective box set that contains all of Devin\u2019s early work when he was the creative driving force behind <a title=\"Strapping Young Lad\" href=\"http:\/\/www.metal-archives.com\/bands\/Strapping_Young_Lad\/46\" target=\"_blank\" rel=\"noopener\">Strapping Young Lad<\/a>. Not only does it contain their complete discography, but also comes with a gorgeous 40 page book, alternative artwork, collectible paraphernalia, and tons of never before released demo material, all remastered on high quality vinyl. Check out the full specs of this amazing set <a title=\"The Complete Works specs\" href=\"http:\/\/www.blood-music.com\/newspost\/strapping-young-lad-the-complete-works-full-specs\/#more-628\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><a href=\"http:\/\/www.metal-fi.com\/troy-glessner-of-spectre-mastering\/\" target=\"_blank\" rel=\"noopener\">Read More<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1>The Fader, Ep 5: Troy Glessner Explains What A Mastering Engineer Looks For:<\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-15-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/spectrestudio.com\/wp-content\/uploads\/troy_interview_mixdown.mp3?_=1\" \/><a href=\"https:\/\/spectrestudio.com\/wp-content\/uploads\/troy_interview_mixdown.mp3\">https:\/\/spectrestudio.com\/wp-content\/uploads\/troy_interview_mixdown.mp3<\/a><\/audio>\n<div class=\"article-main\">\n<figure>\n<h1><\/h1>\n<h1 style=\"text-align: left;\">August Burns Red earns Grammy nomination<\/h1>\n<p class=\"extras\" style=\"text-align: left;\"><span class=\"date\">DECEMBER 7, 2015<\/span> <span class=\"author\">BY <a title=\"Posts by Sean Huncherick\" href=\"http:\/\/hmmagazine.com\/blog\/author\/shuncherick\/\" rel=\"author\">SEAN HUNCHERICK<\/a><\/span><\/p>\n<\/figure>\n<div class=\"sharerer\">\u00a0<a href=\"http:\/\/hmmagazine.com\/blog\/feature\/august-burns-red-2015\/\">August Burns Red<\/a> is wrapping up their year with some of the biggest news they have received in their career: a Grammy nomination. Their song \u201cIdentity\u201d off of <a href=\"http:\/\/hmmagazine.com\/blog\/album-reviews\/august-burns-red-found-in-far-away-places\/\"><i>Found in Far Away Places<\/i>\u00a0<\/a>is nominated for best metal performance alongside Ghost, Lamb of God, Sevendust and Slipknot.<\/div>\n<div class=\"album-wrap clearfix\">\n<div class=\"entry\">\n<p>While the award committee\u00a0typically gives the prize to the most commercial friendly nomination (remember when Macklemore beat out Kendrick Lamar two years ago?), it\u2019s still exciting to see August Burns Red hit one of the highest achievements in modern music. Best of luck, guys.<\/p>\n<p><a href=\"http:\/\/hmmagazine.com\/blog\/the-jump\/august-burns-red-earns-grammy-nomination\/\" target=\"_blank\" rel=\"noopener\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Modern Producer Troy Glessner Interview: I could never really relate to the desire to become a mastering engineer. Why did you get into mastering, and what was the journey that lead there? In junior high we used to play in my parents\u2019 garage. The way we recorded was bouncing back and fourth between cassette&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/spectrestudio.com\/?page_id=15\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/spectrestudio.com\/index.php?rest_route=\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spectrestudio.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spectrestudio.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spectrestudio.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spectrestudio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15"}],"version-history":[{"count":15,"href":"https:\/\/spectrestudio.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":369,"href":"https:\/\/spectrestudio.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions\/369"}],"wp:attachment":[{"href":"https:\/\/spectrestudio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}